In my last post, I forgot to mention a super book called
People of the White Mountain. I have no idea if it's still in print - I found it a long time ago at the Smithsonian book shop - but it's a first hand look at Native Americans and what happened to them.
There's nothing like seeing where history happened. We drove to Ft.Sill, Oklahoma, (the hottest wind on the planet) to see Geronimo’s grave, and the reservation there, where we ate fry bread.
The Cherokee Reservation in North Carolina was a sad picture of casinos.
In San Angelo, Texas, we visited Ft. Concho, where the Buffalo Soldiers under General Grierson fought the Kiowa and Comanche. It's privately owned now, but you can feel how hard life must have been.
We tracked down other forts across Texas, some of them nothing but piles of stone in the middle of some field with a weathered Texas State marker.
In a way, these sites are the lost Roman ruins of the United States. For someone who grew up riding old Roman roads across the Middle East, this was quite a revelation.
After all my research, I came to
the conclusion that since history is written by the winners, I’d write from the viewpoint of the losers. There's a line in
Last of the Dogmen where Barbara Hershey's character says (paraphrasing here), “it was inevitable that the Native
Americans would lose their land. It’s how it was taken from them that’s
horrible.” I wanted to show the horror of being a displaced people, starving,
on the run, and finally being forced into giving up what and who they were as a free people.
If you want a chilling first-hand view, read the history of this time from original
orders and letters by William T. Sherman, to what the Kiowa chiefs said at peace
conferences.
So what about American films in the Western genre? Their heyday is over, but some can be found hanging around on cable on on DVD. American films I consider the best
in portraying the West of myth and anti-myth: The Searchers and Thunderheart. The Searchers portrays John Wayne as unheroic for the first time I can
ever remember. He’s determined to find
the little girl taken by the Comanche, so he can kill her because she’s
“turned” Comanche. (The Cynthia Ann/Quannah Parker story film-ized.) The brutality of the Comanche (and they were
vicious in war) is shown, as is the stark landscape of the settlers. The treatment of women by their families
after they were captured is shown in a film with breathtaking beauty and
honesty. Another duck-out-of -water story
for the captive Natalie Wood, but also a story of survival and
understanding. The camera shot from
inside the shed where John Wayne’s (married to another man) only love has been raped
and killed is stunning. Classic loner western hero who is really a dinosaur in
his own time.
Thunderheart never fails to hold
up. A modern western, at its heart it’s
a murder mystery. However, the
surrounding portrayal of the hopelessness of modern reservation life, its
alcoholism, its struggle to retain its tribal identity , and the violence that
was perpetrated by the federal government in the name of sovereignty is dead on
when you look at the real-life situation on the Oglala reservation, the AIM
standoff, and the incarceration of Pelletier for the killing of an FBI
agent. A story of injustice never
rectified, it should be seen by anyone who thinks reservations are hotbeds of
wealth coming from casinos.
